a good artist knows where to draw the line
A French company is coming up with a windowless jet concept.
The idea is to enhance the view by filming the exterior environment and putting it on the inside of the cabin. It would also be possible to put other things on the screens, such as a movie.
I made the gifs from this video
Here is an article about it
Step by step:
Step 1 : Storyboard for myself, can take 10sec to hours to draw it. Most of the time it takes 10min.
Step 2 : Storyboard for publisher about 20min.
Step 3: rough sketch
Step 4: sketch
step 5: Cleaning
step 6: colors. don’t have much step between cleaning and coloring as I’m trying to do everything with one stroke and it’s quite the mess to see.
Marta Klonowska (b. 1964, Warsaw, Poland) - Animal sculptures made from shattered glass pieces. Represented by: Lorch + Seide Gallery.
Murder in the Hellfire Club http://ift.tt/1mLeICQ
Ben Franklin was sent to an 18th-century orgy… by… Zeus?
She-Hulk. No more needs be said.
I feel like there are probably too many people just scrolling past this so let’s go through everything that’s going on here.
1. With Roger’s voice actor standing off camera, Bob Hoskins acts into empty air and frantically sawing at his handcuff, continually looking up and down at different visual marks of various depths. Look at the slow pan up of his eyes in gif 4, and then the quick shift to his side. Think about how, on set, he was looking at nothing.
2. Starting in gif 2, The box must be made to stop shaking, either by concealed crew member, mechanism, or Hoskins own dextrousness, as he is doing all of the things mentioned in point 1.
3. In all gifs, Roger’s handcuff has to be made to move appropriately through a hidden mechanism. (If you watch the 4th gif closely you can see the split second where it is replaced by an animated facsimile of the actual handcuff, but just for barely a second.)
4. The crew voluntarily (we know this because it is now a common internal phrase at Disney for putting in extra work for small but significant reward) decided to make Roger bump the lamp and give the entire scene a constantly moving light source that had to be matched between the on set footage and Roger. This was for two reasons, A) Robert Zemeckis thought it would be funnier, and B) one of the key techniques the crew employed to make the audience instinctually accept that Toons coexisted with the live action environment was constant interaction with it. This is why, other than comedy, Roger is so dang clumsy. Instead of isolating Toons from real objects to make it easier for themselves, the production went out of its way to make Toons interact more with the live action set than even real actors necessarily would, in order to subtly, constantly remind the audience that they have real palpable presence. You can watch the whole scene here, just to see how few shots there are of Roger where he doesn’t interact with a real object.
The crew and animators did all of this with hand drawn cell animation without computerized special effects. 1988, we were still five years out from Jurassic Park, the first movie to make the leap from fully physical creature effects to seamlessly integrating realistic computer generated images with live action footage. Roger’s shadows weren’t done with CGI. Hoskin’s sightlines were not digitally altered. Wires controlling the handcuff were not removed in post.
Who fucking Framed Roger fucking Rabbit, folks. The greatest trick is when people don’t realize you’re tricking them at all.
all these big ass trees
Artist & Sculptor:
H122 cm x W27 cm x D23 cm
After getting sucked into the Song of Ice and Fire series of fantasy novels by watching HBO’s “Game of Thrones,” I became intrigued by author George R.R. Martin’s in-depth descriptions of each major character’s heraldry, and the ways in which their symbols seemed to establish a “brand” for each of the story’s families.
I hadn’t seen a design take on the sigils that I was fond of, and so a personal mission to craft an icon for each of them began. Of course, there’s hundreds of crests, so some lesser houses didn’t quite make the cut. Sorry Manderlys of White Harbor.
After a few attempts, I finally got my Yami Yugi makeup the way I want it. \o/
how is that wig even real
i think a demon deal may have been involved in this…
and bring the fight to them! Today, we are cancellin’ the apocalypse!”